Typography and British Vogue December 2008: We’ve Got Trend.
On Christmas Day I wrote a blog post on 2modern’s design blog about Typography, ’cause, if you haven’t already noticed, it’s (typography) design’s new darling…..
Then Voila! there’s December’s British Vogue titled Fantastic Fashion Fantasy with all kinds of my favorite things all wrapped up in one issue. “Through the generations there are visionaries who conjure fabulous creations that go beyond the boundaries of the imagination.” And this is an understatement. It was, in my estimation, British Vogue’s Christmas present to me. All for a mere $10.99.
And if per chance you didn’t catch the issue, call them to get a copy (I know for my British friends, this is last year’s news and more than a few of you didn’t care for Kate Moss on the cover, again, but my love of this issue has to do with the typography as well as pulling some of the decade’s most creative fashions together in a crazy wonderful photo montage among other things). Besides creating these incredibly creative, and imaginative pages ( Unbelieveable Fashion, photographed by Nick Knight, above, Where the Wild Things Are photographed by Patrick Demarchelier, below), you can catch Nick Knight’s video of his shoot, Fantasia, at Showtimestudio.com. From the credits it looks as if Epilogue Imaging did the digital artwork for the magazine issue, which I take means that oh so cool typography.
There’s more in there, much more….it was all just so delish I couldn’t help but give the issue some space on my blog. For someone like me who craves visual creativity, this has been my double chocolate mousse cheesecake with chocolate cookie crust and white chocolate and whipped creme on top (in case you are wondering, I had that too during my holidays….my holidays were great by the way, how were yours?).
I loved the editor’s letter too: “Forget the It-bag, the serviceable coat, the investment buy; this is all about how extraordinary things can be–a celebration of the unusual.” Given the times, Ms. Alexander Shulman (British Vogue’s editor), this seems like a wise course of action.
As a final note, as if all of the above weren’t enough, Karl Lagerfield chimed in with Karl Lagerfield’s Secret Ball (above). I did not have to be at a glam mystery ball to get the best of what this might be about, Lagerfield’s paintings were enough for me!
I think this one’s a keeper. What do you think?
Comments(2)







































It was date night for me Friday night. Me and PBS, since Bill Moyers had a great interview with 2 New York Times columnists about what happened with Wall Street’s meltdown and the author, Kevin Phillips, of a book, Bad Money, he is recommending as a must.
The bottom line after all of the I confess heavy thought processing is that who knows? But Phillips has been forecasting this for awhile and goes back as far as both the Clinton and Regan administrations to find fault with even today’s situation. His point being, mainly, that all along the way finance was something Washington found in favor and never popped the bubble to take the bitter pill.
Needless to say when Casablanca came on I was thrilled and it found in me a total willingness to cast my fate to the Marrakesh winds for the night, along with Bogie and “Play It Again, Sam” Sam.
Since there are so many references to Morocco these days, I went in search of Casablanca still shots because I saw so much in the movie that I am seeing in production now, not the least of which was an incredible room divider seen in Rick’s Cafe Americain that had the most delicious fretwork. But it was the doors to Rick’s Cafe that really got me. Maryam Montague of
Patterns In Design, Art, and Architecture by Petra Schmidt (Editor), Annette Tietenberg (Editor), Ralf Wollheim (Editor).
Using examples of contemporary work by internationally renowned designers such as Tord Boontje, Michael Lin, Olaf Nicolai and Sauerbruch & Hutton, the diversity of colours, shapes and applications are laid out before the reader, illustrating the impact and influence of technical innovations such as laser engraving and digital milling on patterns and our perception of them.
Often humorous, very colorful, and rarely plain the movement may be showing signs of maturity but I think it’s always important to see where we’ve been to also know where we are going. Not to mention that the technology factor they bring out has been a tremendous feature to this movement and is probably just the tip of the iceberg in terms of what we will be able to accomplish as a consequenc of new technologies.
I confess I’m a little late to this party…..Eric Abrahamson and David Freedman, authors of A Perfect Mess, launched their book in mid December 2006 but as a testament to a core argument of theirs, I came across it a few days ago by not looking for it and discovered for me at least right now, A Perfect Mess is in fact my perfect answer.
Webkinz. As Alison Zisko reported 2.11.08 for trade journal Home Furnishings News, “For the uninitiated, Webkinz, manufactured by Ganz, are small plush toys that come with a secret code that unlocks a secure Web site, enabling children to take care of a virtual pet online. It offers games, trivia questions and all sorts of ways for children to mind the health and well being of their pet, as well as create and decorate rooms for it on the computer. Webkinz are introduced periodically. Introduced in April 2005, they retail for around $12.95 apiece.”
A Guide to Finding Great Recycled, Sustainable, Renewable Objects You Will Love by Dale Evans.
